Autograph score facsimile :? Broadcast in the early days of Stereophonic Radio. Unfortunately not free from noise everywhere. Buy this album at: Amazon. Buy this album at: 6-CD : Amazon. Buy this album at: Capriccio CD : Amazon. Bach: Cantatas Vol. See: Cantatas Vol. Buy this album at: 2-CD: Amazon. Nicolaschurch, Elburg, Holland. Buy this album at: 5-CD : Amazon.
Bach: Complete Cantatas Vol.
Bach - Cantata No. 140 (Wachet Auf)
Buy this album at: 3-CD : Amazon. Home Page. Psalm 1 Mvt. Soloists: Soprano, Tenor, Bass; 4-part Chorus Orchestra: 3 corni da caccia hunting-hornstimpani, bassoon, 2 violins, viola, continuo Mvt. Complete Recordings Recordings of Individual Movements. Cantatas Vol. Discography - Part 1. Complete Recordings. Die Bach Kantate Vol. Helmuth Rilling. Gustav Leonhardt. Telefunken 6.
Recorded at Doopsgezinde Kerk, Haarlem, the Netherlands? Hans-Joachim Rotzsch. Masaaki Suzuki. Bach Collegium Japan. Bach Cantatas Vol. John Eliot Gardiner. Bach Edition Vol. Bach: The Famous Cantatas [B-2]. Pieter Jan Leusink. Recorded at St. Ton Koopman. Nov Dec 3, [Mvts. Recorded at Waalse Kerk, Amsterdam, the Netherlands.
Cantata BWV . Herbold MarchEhud Shiloni August The cantatas composed by Johann Sebastian Bachknown as Bach cantatas German : Bachkantatenare a body of work consisting of over surviving independent works, and at least several dozen that are considered lost. Most of Bach's church cantatas date from his first years as Thomaskantor and director of church music in Leipziga position which he took up in Working for Leipzig's Thomaskirche and Nikolaikircheit was part of Bach's job to perform a church cantata every Sunday and holidayconducting soloists, the Thomanerchor and orchestra as part of the church service.
In his first years in Leipzig, starting after Trinity ofBach regularly composed a new cantata every week, although some of these cantatas were adapted at least in part from work he had composed before his Leipzig era. These relate to the readings prescribed by the Lutheran liturgy for the specific occasion. He probably composed his last cantata in In addition to the church cantatas composed for occasions of the liturgical yearBach wrote sacred cantatas for functions like weddings or Ratswahl the inauguration of a new town council.
Bach's cantatas usually require four soloists and a four-part choir, but he also wrote solo cantatas i. The words of Bach's cantatas, almost always entirely in German, consist mostly of 18th-century poetry, Lutheran hymns and dicta.
Cantata BWV 1
Hymns were mostly set to their Lutheran chorale tune. His chorale cantata cycle contains at least 40 chorale cantataseach of these entirely based on text and tune of such hymn.
Although the German term Bachkantate Bach cantata became very familiar, Bach himself rarely used the title Cantata in his manuscripts. Typically, he began a heading with the abbreviation J. Jesu juva"Jesus, help"followed by the name of the celebration, the beginning of the words and the instrumentation, for example in Gloria in excelsis DeoBWV Bach often wrote a title page for the autograph score and copies of the original parts.
For example, he titled the parts of Aus tiefer Not schrei ich zu dirBWV 38using a mix of languages to describe the occasion, the incipitthe precise scoring and his name: "Dominica The title follows, given in German in the orthography of Bach's time.
The scoring and finally his name appear in a mix of French and Italian, the common languages among musicians at the time, partly abbreviated. Bach wrote more than cantatas, of which many have survived. In the Bach-Werke-Verzeichnis BWVWolfgang Schmieder assigned them each a number within groups: 1— sacred cantatas— secular cantatasand — cantatas of doubtful authorship.
Since Schmieder's designation, several of the cantatas he thought authentic have been redesignated as "spurious. The opening chorus Eingangschor is usually a polyphonic setting, with the orchestra presenting the themes or contrasting material first. Most arias follow the form of a da capo ariarepeating the first part after a middle section.
The final chorale is typically a homophonic setting of a traditional melody. Each part is a sequence of an opening movement, five movements with alternating recitatives and arias, and a chorale.
In an exemplary way both cantatas cover the prescribed readings: starting with a related psalm from the Old TestamentPart I reflects the Gospel and Part II the Epistle. Bach did not follow any strict scheme but composed as he wanted to express the words. A few cantatas are opened by an instrumental piece before the first chorus, such as the Sinfonia of Wir danken dir, Gott, wir danken dirBWV A solo movement begins Gott, man lobet dich in der StilleBWVbecause its first words speak of silence.
Many cantatas composed in Weimar are set like chamber music, mostly for soloists, with a four-part setting only in the closing chorale, which may have been sung by the soloists. In an early cantata, Erschallet, ihr Lieder, erklinget, ihr Saiten! BWVBach marked a repeat of the opening chorus after the chorale. In Nun komm, der Heiden HeilandBWV 61for the first Sunday in Adventthe beginning of a new liturgical year, he rendered the opening chorus as a French overture.
He sometimes assigns the voice parts to the dramatic situation, for example soprano for innocence or alto for motherly feelings. In the absence of clear documentary evidence, there are different options as to how many singers to deploy per part in choral sections. This is reflected in the recordings discussed below. Ton Koopmanfor example, is a conductor who has recorded a complete set of the cantatas and who favours a choir with four singers per part.
On the other hand, some modern performances and recordings use one voice per part. Joshua Rifkin is well known is an advocate of this approach, although it has yet to be followed through in a complete set of cantatas.
Nonetheless Bach would have had more singers available at Leipzigfor example, while the space in the court chapel in Weimar was limited.Buy this album at: CD: Amazon.
Recorded by Bachfest Leipzig in co-operation with Thomaskirche Leipzig. Watch on YouTube: Complete Concert . Anne's Church Dawson St. CD Buy this album at: Amazon. B-3 Coming Bach for Flute, Vol. Chorale for Tenor Mvt. Buy this album at: CD : Amaszon.
Studios, Wembley, London, England. Buy this album at: CD : Amazon. D-1 Wachet auf!Promesas y renuncias bautismales
D-2 J. Bach: Suites OverturesVol. Bach: Suites Ouvertures Nos. Watch on YouTube: Wachet auf: 2 settings . Breiner : Chorale Wachet auf, ruft uns die Stimme Mvt. Elms : Chorale Sleepers Wake! Chorale Mvt. Time: Buy this album at: Amazon. Compiled and edited by Rick Erickson and Mark Bighley. The focus of this collection is to provide churches and choirs a practical resource for use in worship. Buy this album at: Augsburg Fortress. F-1 Music for Advent [C-1].
Chorus Wachet Auf Mvt. Buy this album at: Amazon. Parabolically Bach [C-1]. Stadtkirche Unna, Germany. Buy this album at: Unnaer Abendmusiken. J-1 Bach: Cantata No. Buy this album at: Music Download: ClassicsOnline.It is the twenty-third Sunday after Pentecost. I have posted this cantata before, here — which made me realize that I have been doing this series for over three years now.
Which surprised me. It looks like the YouTube videos in the old post are all defunct, unfortunately. Everything becomes moldy over time. Five of them were foolish and five were wise.
The foolish ones took their lamps but did not take any oil with them. The wise ones, however, took oil in jars along with their lamps. The bridegroom was a long time in coming, and they all became drowsy and fell asleep. Instead, go to those who sell oil and buy some for yourselves. The virgins who were ready went in with him to the wedding banquet. And the door was shut.
It contains these words:. Awake, calls the voice to us of the watchmen high up in the tower; awake, you city of Jerusalem. Midnight the hour is named; they call to us with bright voices; where are you, wise virgins?
Indeed, the Bridegroom comes; rise up and take your lamps, Alleluia! Make yourselves ready for the wedding, you must go to meet Him. Well, how about that!Dragon age origins mods hair
Warmer that normal for the first week in November in the Bluegrass State, so Mass was outside again. Luckily today, thanks to IoT, your lamp is always ready and you can turn it on with a touch of a button. What a great Sunday. I got to commit an act of civil disobedience. So for today we determined that we would once again hold mass inside the church, without bothering to receive or even to seek permission from the county or state.
We will go back to outdoor masses next week, weather permitting, but it was nice to see our parish assert ourselves against the tyranny of the state. With Christmas and Hanukkah coming up, the county and state are going to have to reach some sort of accommodation with believers. Good for you, JVW. Glad your parish did that. Our Catholic schools have been open since September and guess what? No outbreaks. We are enjoying it while we can. He walks, slowly, with a cane, and has a dispensation from the Bishop to use a high chair to remain seated at the altar.
He has said that all of the rest of his seminary class have either retired or gone to their eternal rewards.
Thank you for this marvelous gift. Looking at the faces as the duets were sung, the joy of the performers was unmistakable. As was the joy of this listener.Radio recording by DDR. Bach: Kantaten Folge BWV 36, 57 J. Bach: Cantata no. Tape recording from the radio live. Tape recording from the radio.Bratz jade doll ebay
Annen-Kirche Berlin-Dahlem, Germany. Die Bach Kantate Vol. Buy this album at: CD : Amazon. Executive Producer: Dr. Buy thia album at: CD : Amazon. Bach: Complete Sacred Cantatas, Vol. Nicolaschurch, Elburg, the Netherlands. Source: J. Bach: Complete Cantatas Vol. Ingbert, Germany. Bach-Stiftung St.
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Bach-Stiftung, St. Gallen: Cantata Series. The DVD in German, no subtitles includes a film recording of the complete cantata, the reflection lecture of the speaker and a film portrait of the J. Bach Foundation. Gallen: Shop Amazon. In Memoriam Nikolaus Harnoncourt HD p — Audio video. Buy this album at: CD: Christuskirche Mannheim.
Bach: Cantatas Vol. Bach: Lutherkantaten, Vol. Buy this album at: 4-CD : Amazon. Bach: BWV 62, 36 - G. Not yet released. Home Page. Cantata BWV 36 Schwingt freudig euch empor. Leipzig1 st performance: December 2, - Leipzig.
Martin Luther Mvts. Mvts, 1, 3, 5, 7.This cantata was written for the 27th Sunday after Trinity, which is the last Sunday in the Church Year. This means that a performance of this cantata should occur immediately before Advent, the four-week period of repentance and preparation anticipating Christmas. But this particular feast, the 27th Sunday after Trinity, is a rare occurrence, since it can only happen when the preceding Easter comes early in the year.
There is a very sad story attached to this particular chorale. Once upon a time, in the late 16th century, a terrible plague spread through parts of Europe, including a town in Germany called Unna. Approximately residents of Unna died during this outbreak. Philipp Nicolai was the pastor of a church in this town.
He, too, became ill, and figured he was also going to die. While he was lying around anticipating his death, he recorded his mediations in a journal. Both hymns have now achieved immortality as a result. Very often, Bach concludes his chorale cantatas with a simple, straightforward, homophonic setting of the chorale. This way, the congregation can join in the singing as his composition concludes.
In this hymn-like version, the soprano voices and instruments in the orchestra violins, oboes; any instrument that can play high parts play or sing the melody, and the other voices an instruments fill in the harmonies. Here is what the first page of this movement looks like:. This time, only one part, the tenors, sing the chorale tune. The strings in the orchestra join together to play an active counter melody a secondary tune, almost equal in importance to the main melody sung by the tenors, and occurring simultaneously.
The beginning of this movement is shown below. Notice how the tenors clearly have the chorale tune:. Another movement that employs the chorale is the first movement.
This is the most complicated. It begins with a dignified, stately orchestral introduction, which takes the place of a prelude.Schwein chinesisches horoskop 1959
This same passage serves as an interlude between statements of the opening section of the chorale. The chorale later enters in measure 17 in long tones in the sopranos, while the lower voices enhance and ornament the texture.
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Splendid musicianship, rousing choruses, and the sublime voices of the soloists turned grief into joy and sorrow into triumph. What a thrill to hear those punchy, syncopated brass lines accompanying some really polished and vibrant singing. There was a miraculous blend of tone and balance throughout. The effortless virtuosity and stylistic homogeneity of the combined forces in the chapel's stone sanctity, allowed Bach's music to sing out with infectious, exhilarating enthusiasm.
The Bachs [J. B and C. E] could not have been better served, not to mention two English Renaissances, as well as our own time. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith.
If it has flaws, they are like those that distinguish a fine emerald from the perfect clarity of a fakeIn fact, this cantata was written in March for the Feast of the Annunciation. Bach began writing cantatas as early as This is one of the Marian feasts of the church, meaning that it focuses on Mary, the mother of Jesus.
The Annunciation is when the Archangel Gabriel came down from heaven to announce to Mary that God had chosen her to give birth to His Son. The text is based on the Biblical story of the Annunciation, but it is a poetic adaptation of that story, written by Philipp Nicolai, who provided text and music for a number of Lutheran chorales.
The text focuses on Mary, not in every movement, but varies with both direct and indirect references in several movements. This aria is scored for soprano, oboe da caccia, and continuo. Because it employs only three independent parts, it has a very intimate feeling, much like the personal intimate feelings Mary must have felt upon receiving the visit from Gabriel.Bach - St Matthew Passion BWV 244 - Van Veldhoven - Netherlands Bach Society
This cantata combines elements of a number of different genres. First is the Lutheran chorale. Bach often uses chorales in his cantatas. This one uses the same melody for the first and last pieces. Typical of Bach, the first movement is a chorale fantasia, which means that the sopranos of the choir sing the chorale melody very simply, using long note values, while the other voices in the choir and the instruments of the orchestra fashion a complicated tapestry around and beneath that melody.
This creates a very polyphonic texture, in which many independent and active parts are performed simultaneously. The final movement is a more-or-less traditional chorale setting. That means the sopranos of the choir, supported by the highest-sounding instruments of the orchestra, have the melody, and the other parts provide chordal accompaniment.
This is a homophonic texture. What is unusual here is that Bach writes a Horn II part which is independent from the rest of the texture. This independent line harmonizes well with the other parts, at the same time providing a more interesting line within the otherwise simple texture.
The second genre employed here is the concerto grosso. Subscribe to our newsletter to get performance announcements, Choir news, and updates about recordings or Bach Choir touring. Splendid musicianship, rousing choruses, and the sublime voices of the soloists turned grief into joy and sorrow into triumph. What a thrill to hear those punchy, syncopated brass lines accompanying some really polished and vibrant singing.
There was a miraculous blend of tone and balance throughout. The effortless virtuosity and stylistic homogeneity of the combined forces in the chapel's stone sanctity, allowed Bach's music to sing out with infectious, exhilarating enthusiasm. The Bachs [J.
B and C. E] could not have been better served, not to mention two English Renaissances, as well as our own time. It went beyond mere intelligent programming and committed performance, enriched by a deep sense of the mutual nourishment of music and faith.Vitamin d2 50 mcg to iu
If it has flaws, they are like those that distinguish a fine emerald from the perfect clarity of a fake The more than vocalists displayed clean tone, excellent pitch and blend, and kept good tempo even in the most stressful numbers…outstanding, energetic and crisp.
The orchestra was a collection of top freelancers from around the Eastern Seaboard including several from Washington… baritone Dashon Burton, was the standout.
He has a clarion instrument that projects well throughout his range…a splendid dramatic performance. Greg Funfgeld has trained his singers to articulate words crisply, dance lightly when the music must move and blend elegantly.
Charles Daniels stands out as a poetic and powerful Evangelist, William Sharp as a warmly inflected Jesus and Julia Doyle as a shining champion of the soprano arias.
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